Why is dia frampton from meg and dia on the voice

You love life! A rotating chair-full of judges search for the next great superstar singer on this NBC reality show. Dia Frampton: The Voice runner-up's essay details sexist career struggles. Joey Nolfi. Save FB Tweet More. The Voice. Close this dialog window Streaming Options. Episode Recaps The Voice. The Voice - Season THe Voice. Maelyn Jarmon. The Voice - Live Top 13 Results. All rights reserved. Close this dialog window View image Dia Frampton: The Voice runner-up's essay details sexist career struggles.

TV Show. Her line's called "Chandler the Robot," after the first design she made. Think quirky, metallic scrap robots or owls, or cameras, or perhaps custom orders made of clay--several are up on Etsy.

The project came about after Meg stopped by a jewelry school in Austin. In an interview just before Cocoon came out, Meg explained things a bit more:. Most customers have been fans, at least until The Voice happened and Blake Shelton and Miranda Lambert added Meg's " cowbots " to their weddingtime gifts. And thanks to Dia wearing Meg's jewelry on the show, orders have picked up a bit. Of course, at least some of it's also because As a vendor, that is, again for Chandler the Robot.

Her Twitter feed keeps you posted city-by-city. This is also probably why Meg hasn't been seen much on The Voice , although she has made visits. Dia invited her sister to writing sessions she's credited with backing vocals on the LP and to join her band for a tour opening for Shelton, but tension abounded. Life wasn't easy for Dia, either.

Post- Voice performance anxiety led her to consult a psychotherapist and even consider beta blockers to help manage her pre-show nerves.

She stresses the actual people behind the show -- its crew, celebrity judges, especially Shelton -- were kind and supportive, yet the cutthroat nature of online commentators, and the competition itself, left her shaken.

Relegated to backing-band duties on the Blake Shelton tour, Meg found herself seething. On the trek's final day, she stormed out of Dia's band. Despite a bit of post- Voice hype, Red failed to make a major impact, and Dia was eventually dropped by Universal. While she continued as an indie artist in subsequent years, she parlayed her on-screen experience into TV acting roles; she also graduated from Upright Citizens Brigade's improv program in Los Angeles.

Aside from briefly acknowledging each other on Christmases with the family, they remained total strangers. Finally, Dia started calling up Meg to shoot the breeze about work, boyfriends, the weather. Meg's intuition kicked in. The music's grown, too. The Framptons are more self-assured in choosing their collaborators now, too. For their newfound pop direction on Happysad , Dia heaps praise on Seth Jones, who co-wrote, produced, and mixed much of the album: "When you have a very small budget, the people you get are usually there because they believe in you.

Do you want it this slow? It made me feel weird, but he was a really big producer so I thought it was okay. Both sisters see the band as their core commitment going forward, even if it means facing the insecurities of an inequitable industry. In between gigs, Dia works as a waitress in Los Angeles, where she's learned to brush aside fears of potential collaborators walking through the door and seeing her in a far less-glamorous job. Is that really hard for you? Meg has noticed similar double-standards: "There's definitely that perception that once you get older you have a hard time competing with people, with younger women.

You hear it all the time: Billie Eilish is 17 and she's starting out! I'm