Lost what do jacks tattoos say




















While most of the main characters had their own musical theme, Jack was the only one to ever play his theme in the show. When he stayed with the Others at the Dharma Barracks in season 3, Jack played his theme on the piano when Kate came to rescue him. It was truly a meta moment for the show. The flashbacks in the season 3 episode "Stranger in a Strange Land" showed the story behind Jack's tattoos. The tattoos contained a deeper meaning than fans realized as they further complicated Jack's struggles with his identity and purpose.

Matthew Fox had the tattoos before he even began filming for Lost. The showrunners found a way to incorporate his tattoos into Jack's backstory, but it might not have paid off as "Stranger in a Strange Land" was poorly received by most fans.

A shot in the season 3 episode "A Tale of Two Cities" showed Jack reaching for his beeper, and underneath it was a crossword puzzle filled out in pen. This is a bold move even for the most enthusiastic of crossword aficionados. In comparison, John Locke was seen trying to complete a crossword puzzle in season 2, but he did his in pencil and grew frustrated as he kept needing to erase his mistakes. The juxtaposition between how Jack and Locke approached their crossword puzzles might seem like a small thing, but it said a lot about their confidence or lack thereof.

In the pilot episode, Jack had a line about taking flying lessons. Some fans thought this could foreshadow Jack saving the group by piloting them off the Island at some point.

This was never the plan, though, as showrunner Carlton Cuse said the line was only included because actor Matthew Fox had taken up flying in his own life.

Getting back to civilization wasn't everything Jack thought it would be. He kept seeing hallucinations of his dead father and at one point asked a doctor to give him a prescription for clonazepam. Clonazepam is the same anti-anxiety medication that Hurley used to take. Jack is a 'Stranger in a Strangeland'. Standing alone in the autumn cold: The Hsiang flowing northward, Orange Island, the cape.

I see thousands of hills in crimsoned view, The woods piling up in deep-dye; The mighty stream, in its gleam of jade, One hundred barques racing by. Eagles high up, cleaving the space, Fish gliding above shallow ground; Ten thousand creatures, under frosty a sky, all fighting for freedom.

Once I came here with a hundred companions, Vivid the months and years yet, filled with pride. Schoolmates we were, and young altogether, Upright and honest, in the bloom of our lives; Impetuous students, full of enthusiasm, We cast all restraints boldly aside.

Pointing to China, its mountains and rivers, Setting the people afire with our words, And counted for muck all those ranking high. Do you still can remember: How, venturing midstream, the oars lashed the waters And the waves yet staying the flight of our boats?

They are his mark. They are his fate and a representation of his desire to find himself, which is the desire of every character and part of the double meaning of the show; that these people are literally as well as metaphorically lost.

You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email. Notify me of new posts via email. How you feel about how that end game turned out is your own business. And that horrendous reception was certainly understandable. So of course this was the perfect time for an episode that ran in place for 60 minutes, featuring flashbacks to Jack with guest star Bai Ling in Thailand, where he first got his Chinese-character tattoos.

From the very beginning, the question of how a massive hit show like Lost was going to make its castaways narrative last however many seasons a successful show lasts.



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